I learned from the accompaniments of rhythms like Madan and Djansa that sometimes you have to reverse the hand order if you want to play at a very high speed AND preserve the swing.
The most typical example is for the 4/4 accompaniment. Notation + handorder:
| S | . | . | S | S | . | T | T | S | . | . | S | S | . | T | T |
| r | . | . | r | l | . | r | l | r | . | . | r | l | . | r | l |
Notice that the pairs marked with the red color become flams when you go fast enough preserving the swing.


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